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Sedma sila

The New Yorker

The New Yorker is a weekly magazine with a mix of reporting on politics and culture, humor and cartoons, fiction and poetry, and reviews and criti
newyorker.com
New York, United States
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News Bussiness Tech Magazine Culture Books Humor
The New Yorker
yesterday
The Cruelty and Theatre of the Trump Press Conference
During the President’s second term, he and his staff have made the media briefing his signature rhetorical form.
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The New Yorker
yesterday
The Country That Made Its Own Canon
When Sweden named its national treasures, the list was condemned as blinkered and dated. But it was also a chance to see the country anew.
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The New Yorker
yesterday
William Eggleston’s Lonely South
In his show “The Last Dyes,” the photographer presents a world that feels fictional but fact-based.
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The New Yorker
yesterday
Tucker Carlson’s Nationalist Crusade
The pundit’s contrarianism has swerved into openly racist and antisemitic tropes. What does his rise mean for the future of MAGA media?
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The New Yorker
yesterday
How Donald Trump Brought Us to a “Rupture in the World Order”
The Washington Roundtable is joined by the former Prime Minister of Sweden Carl Bildt to discuss where President Trump’s turbulent week on the world stage
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The New Yorker
yesterday
How Bari Weiss Is Changing CBS News
The New Yorker staff writer Clare Malone discusses her reporting on the new head of the news network, who made her name as a crusader against “woke” t
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The New Yorker
yesterday
How Tucker Carlson Became the Prophet of MAGA
Jason Zengerle, who wrote “Hated by All the Right People,” describes how an inside-the-Beltway journalist brought far-right extremism to the mainstream
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The New Yorker
yesterday
The Mayor of an Occupied City
Jacob Frey, of Minneapolis, is governing a city under siege by its own federal government.
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The New Yorker
yesterday
Daily Cartoon: Friday, January 23rd
A drawing that riffs on the latest news and happenings.
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The New Yorker
1/23/2026
Louise Bourgeois’s Art Can Still Enthrall
Also: the many disciplines of Sudan Archives, a Max Ophüls retrospective, the facets of upstate cults, and more.
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The New Yorker
1/23/2026
Challenging Official Histories in “Natchez” and “Mr. Nobody Against Putin”
Two stunning new documentaries—one filmed in Mississippi, and one in Russia—examine the ways that education comes up against indoctrination.
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The New Yorker
1/23/2026
National Security Begins Behind the Toaster
I’m not saying that the apartment’s a hotbed of narcotic activity, but does anybody need that many plastic baggies for sandwiches?
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The New Yorker
1/23/2026
How Do You Write About the Inexplicable?
In Karl Ove Knausgaard’s new cycle of novels, old mysteries reassert themselves.
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The New Yorker
1/22/2026
It’s Time to Talk About Donald Trump’s Logorrhea
How many polite ways are there to ask whether the President of the United States is losing it?
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The New Yorker
1/22/2026
The 2026 Oscar Nominations and What Should Have Been Picked
It’s a pleasant surprise to find some of the year’s best movies enthusiastically acknowledged by the Academy, but plenty of greatness has been left by
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The New Yorker
1/22/2026
Daily Cartoon: Thursday, January 22nd
A drawing that riffs on the latest news and happenings.
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The New Yorker
1/22/2026
Two New Yorker Films Receive 2026 Oscar Nominations
The dark comedy “Two People Exchanging Saliva” and the dreamy animation “Retirement Plan” will vie in short-film categories at the ceremony in March.
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The New Yorker
1/22/2026
I Need a Critic: One-Hundredth-Episode Edition
The hosts of Critics at Large offer advice on crafting the perfect road-trip playlist, reading in a second language, and how to choose a baby name.
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The New Yorker
1/22/2026
Of Course You Can Bring Your Husband Along
Seriously, it’s electrifying how many third rails exist whenever he’s around, such as politics, or any subject that doesn’t revolve around him.
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The New Yorker
1/22/2026
A Massacre in Mashhad
Under the cover of an internet blackout, Iranian security forces killed hundreds of demonstrators. Only now are details of the carnage starting to eme
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