The Ego review – tricksy stories from film sets and award ceremonies
Zoo Playground, Edinburgh Belgian actors Verona Verbakel and Anemone Valcke share anecdotes about their industry in a knotty show about ambition and failure
When we arrive, the screen behind the performers is displaying the entry for The Ego in the online fringe programme. It has a funny circularity that chimes with the self-aware nature of the show. Looking us in the eye, Belgian actors Verona Verbakel and Anemone Valcke tell us they are committed to being truthful. It is a promise that puts us on alert: do we really believe everything they say? How much is artifice? How much constructed?
They confess to misleading us in one respect. The show is only superficially about egotism. There is a nice joke when Verbakel describes The Ego as her show, then remembers Valcke and attributes it to both of them. They flatter each other and glow with the praise. In their anecdotes from film sets and award ceremonies, they present themselves as actors who are hungry for the spotlight, insecure about rejection and in need of affirmation. Their ego drives their ambition and punishes their failures.
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